Tag Archives: Ruiza

“Akaki Hitsuji Ni Yoru Bansankai” – D

^ I know I messed that title up somewhere.

Hey look! I’m actually going to review something! Could I possibly get a handful of confetti or some balloons for this?

Welcome back, D! The band has returned after their (unfairly prejudged by myself) phenomenal album 7th Rose. Of course I had high hopes for this single because the band is one of my favorites, after all. I was a little fearful when I saw the cover art. The clothes are RIDICULOUS. Yet, I learned after 7th Rose to bide my time and wait.

赤き羊による晩餐会 begins with some whispering from Asagi which sounds really nice. The song initially has a very hard, very D sound to it before it makes a seamless move into a jazzy/swing style a la Mad Tea Party. The drums are wild and Asagi’s breathy cries are enthralling. I have to say, he is one of the best j-rock figures out there. Besides boasting one of the greatest voices imaginable, he has a charisma and uniqueness about him that not many other visual rockers have. He is incredibly recognizable which is great since I always complain that so many VK bands fall into the ordinary.

The PV, or at least the incarnation I saw has the band playing in a Victorian-style room. This was already a hit with me considering I’m a Titanic fanatic and I love Victorian/Edwardian style anything. While the band plays, a vampire who thankfully does not sparkle feasts on a couple of attractive women before going after Asagi who in turn hisses right back at him. We also see Asagi autograph a piece of paper for a steward, who awkwardly sniffs it for about the last fifteen seconds of the video. Very random.

I’ve always loved the PVs D puts out because they are always out-of-the-ordinary. This one, although dark and disturbing had a quirky nature to it as well. Something about seeing a bustier-clad Asagi bopping with silverware and a pepper grinder was rewarding to my tired visual soul.

ひび割れた柘榴石 is a fabulous follow up to the title track. With its operatic opening strains, I was expecting another Snow White but instead got a relaxing rock ballad.

黒竜 was altogether forgettable for me, because there was nothing catchy about the song or the band’s performance. Asagi sounded listless and the band seemed to say “we’re only playing this song to take up space on the CD.”

In Conclusion: Asagi and the boys have started their post-7th Rose era off on the right foot by delivering a solid, fresh single. I’m not disappointed in the least and the single left me wanting more from them. Oh, what I wouldn’t give to see this band live…

~Alisa~

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“7th Rose” – D

At least the cover is pretty

Being a loyal D fan, I kept up hope that this album would be surprisingly good, despite the lackluster singles. Since I do love D more than sliced bread and a few other food items, I don’t have the stomach to call this album “bad.” I can’t say its “good” either, and it would just be patronizing to call it “phenomenal.”

If you’re keeping up with Secret Garden (which you should! Its a brilliant blog!), you’ll know that lately, D has adopted more of a Versailles style. Can’t say I hate Versailles (the fact that most of their songs are, like, 9 minutes long is just a touch annoying but that’s another story…) but D should be D. This is why we fell in love with this band; because they had their own flavor. Now that flavor has just become stale.

7th Rose is a hot mess of Versailles/Malice Mizer/generic gothic rock cut-and-paste songs and a couple happy-go-lucky songs (Day by Day and Kaze ga Mekuru Page) that seem out of place altogether. Then you get tracks like Crimson Fish that drift in and out of the gothic and classic visual kei genres. I had no idea which direction  they were going with that song and I don’t even think the band knew either.

The only song which sounds remotely similar to the original D is Tightrope, the first single released since the previous album. I’ve called it a watered-down sister version to the outstanding pulse-pounding Nocturnal and I stand by that description. Another somewhat good track is 絡繰り絵巻, which is nice for about two listens and then is quickly forgotten.

As with several other D albums, 7th Rose contains plenty of barbaric growling and whatnot, but its emotionless and almost robotic, if that’s possible. The problem with the album is that the tracks don’t build tension like some of the better D songs. They are flat-lined from the start and you get plain bored. I didn’t listen to most of the tracks in their entirety because they evoked no response in me, other than yawning. Older D songs used to quicken my pulse and make me unconsciously clench my fist from the power of the songs.

In Conclusion: Spare yourself the heartache and pick up a copy of Genetic World instead. Perhaps you can find some gems in this album, but its more a matter of personal taste than actual quality. I felt that this album was weak and makes D as a band seem like a worn-out concept. Here is hoping they take a small hiatus and reflect on their true image instead of desperately clinging to that of other bands.

~Alisa~

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Let’s Talk About D..

Another post where I could be reviewing e.via and her amazing speed rap, but my loyalty goes to a favorite band of mine, D. With their next album, 7th Rose getting closer and closer to releasing, I felt like talking about how I think the album will fare. In my opinion, this will not hold a candle to Genetic World.

“Why?” you ask. Because it seems to me that their performance has become increasingly sloppy over the last few singles. “Tightrope” was highly anticipated, but it failed to meet my expectations. It was average and like a watered-down rendition of “Nocturnal.” (their best song to date, in my opinion) Then along came the upbeat mess “Day by Day.” I respect D trying a less hard sound but they were meant to be threatening. Asagi has a powerful voice that best conveys anger, hate, or pain. He’s not the happy-go-lucky skips-in-the-field-of-daisies kind of artist.  He sounded weak and strained in “Day by Day” and the melody was forgettable. Another upbeat sound is present in the most recent single “Kaze Ga Mekuru Ketsu.” While the uplifting sound is more convincing here, the melody takes some interesting turns, and Asagi’s vocals are somewhat improved, it is a shame to call this the strongest single on 7th Rose when you compare it to an earlier work like “Yami no Kuni no Alice.” Finally, the titular track for the album, “7th Rose” is your average run-of-the-mill cranked-out-in-thirty-minutes Visual Kei jam. Asagi does some screaming and lovely falsetto, but the song is so sadly forgettable….

I anticipate seeing where 7th Rose will wind up on the Oricon charts when it drops. As a fan of D, I hate admitting that their sound is getting a little stale but it happens to all great artists. I’ve even gotten bored with GACKT at times too, so its all okay.

~Alisa~

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