Tag Archives: Luzmelt

“Lunartail” – Luzmelt

Visual Kei band Luzmelt is back after a nerve-wracking loss of a few members. This single has been out since mid-July but since it was distributed only at lives, it took what felt like forever to become available to us gaijin losers who can’t go to lives. All I can say is that this was absolutely worth waiting for.

What I like specifically about Lunartail is that the song is broken up into two halves. (By the way, this song is over seven minutes long and I can actually make it through the whole thing! Crazy!) The first half is a gentle build up and the second half explodes like a supernova. The mood of the song is entirely celestial with distorted vocals and spacey sound effects. I adore this song and I can guarantee that the seven minutes flies by while listening to it.

In Conclusion: Luzmelt has fully recovered from taking some hard knocks courtesy of my Visual Kei voodoo. I’d like to think that my evil powers aren’t all that evil, considering that this is, in my opinion, their best song to date.

~Alisa~

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“Defended Desire” – Aldious

THESE ARE WOMEN, kthx

Look what I’ve found! ANOTHER VK band where the people who look like chicks are chicks! No guessing! No pondering! No uncomfortable moments!

Aldious, like exist trace, is a Visual Kei band consisting entirely of females. I’d put their sound in between the brutal exist trace and pop-rock group SCANDAL. They can rock out, but their vocals and melodies aren’t as grating or violent as exist trace.

Defended Desire, besides having a cool name, is a fast-paced rock song with some incredible drums. They remind me of the machine-gun-sounding drums that you hear in Deluhi songs. But, the vocals sound a little apathetic and the lyrics are slightly repetitive. I’ll give these girls an A for effort as the song is pretty good. Maybe after a while they will come into their own and produce some stuff that will blow me away. Or I could totally jinx them and force them to disband/lose members, as I have seemingly done to XodiacK, Luzmelt, and Canzel. If this is the case, I will give gacktpause license to mock me for all eternity.

灰の雪 is a slower song and reminds me of older-style j-rock. Its nice, and the vocals are the best in this song. Her voice reminds me of Mika Nakashima in parts.

Ultimate Melodious has a killer opening and the drums get to shine once again. I just couldn’t get into this song because the vocalist sounds like she could care less about the song.

In Conclusion: The winning attribute of Aldious is its drums. The vocals need work. If I don’t sense emotion in any aspect of a song be it the voice, the guitar, whatever, then I don’t feel emotion either and I turn the song off. Still, give it a listen because these girls seem like they’ve got potential.

~Alisa~

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Luzmelt-ing Away the Stress

While the weather outside is starting to heat up, Japanese rock has entered a deep freeze, an ice age if you will. All of us J-rock/V-kei junkies are feeling the chill, as noted by this post on my favorite blog, Secret Garden. I think this has turned us all into brats. I know I’ve found myself surfing videos of bands I’ve never heard of, only to stop listening when I don’t like what I hear after a mere thirty seconds. I’ve lost my patience, and that is no way to operate. I think the constant fear of all visual music turning into this has taken me over. By the way, I am not responsible for what happens to you if you click that last link.

A couple days ago, I happened upon Luzmelt’s newest single “Sacrifice” and began to feel the deep freeze thaw a little. The review for “Sacrifice” can be found here in the event that you haven’t read it yet. I felt a glimmer of hope about this band, something I had not experienced single my lucky encounter with the ill-fated XodiacK back in January. Inspired, I picked up Luzmelt’s two mini-albums, Swallowed Scenery and Luz-Destination.

Swallowed Scenery's Cover

Swallowed Scenery is the first release by Luzmelt, which came out on February 24, 2010. It is obvious that the band was just getting its feet in the water at this point, because the songs all have that tired VK sound that you hear everywhere and no track really stands out. I am glad that I started with a newer release because my snobby self probably would not have given this band a second look after only listening to this. The one song I liked from the mini-album was Isotope because it has just a hint of what their later sound would become.

Luz-Destination's Cover. Very similar to that of Swallowed Scenery, but the content is radically different.

The second mini-album, Luz-Destination is insanely different from Swallowed Scenery. It adopts that (mildly) electro-rock sound that drew me in to Luzmelt’s work to begin with. I love the energy of Grief Color Destination and Dazzle Closet (which sounds like Visual Kei set to Pokemon Battle music, and I LOVE that!) I was also impressed by La Salida because its a calmer style of song and is a wonderful ending to an album that was pulse-pounding from the get-go. La Salida, to me, tied up all the loose ends and made the mini-album all the more refreshing.

IN CONCLUSION: Check this band out! DO IT!!! Not much else to say.

~Alisa~

ARTIST RECOMMENDATION: Light Bringer
Watch the PV for Diamond. Its not too bad. The vocalist (female, I might add) is a tad on the shrill side, but its another song that’s got me energized and feeling good about J-rock again.

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“Sacrifice” – Luzmelt

Okay, y’all. I got about thirty minutes before Between the Lions comes on, and I’m not about to miss my “stories.” Haha.

I stumbled upon this single entirely by chance. I liked the cover so I thought I’d give it a listen. I don’t know if you guys love experiences like that, but I sure do.

Luzmelt is a new-ish visual kei band that I had not heard of until yesterday. But apparently they played at Tekkoshocon back in April. They were right here in the U.S. and I didn’t even know it! They have released two mini albums called “Swallowed Scenery” and “Luz-Destination” which I’m going to check out as soon as I finish this review. “Sacrifice” is their first single.

Sacrifice begins with a slow piano opening, which to me felt like a tip of the hat in the direction of the older style of Japanese rock from the late 80s and early to mid 90s. Then the song explodes into a hard, driven rock paradise with some impressive drums and robotic-sounding vocals. Totally unexpected. The song is a great journey through many styles of music. It moves from classic rock, to some techno elements, and into a comfortable Visual Kei sound. I also have to give props to the vocalist. He seems very talented and for some reason his vocal style reminds me of Hyde in his younger days. The space-oriented PV for the song made me think of XodiacK’s PV for Kimi ni Furu Zetsubou no Ame. I miss XodiacK so much.

Under the Starlight is a nice compliment to the a-side. In fact, I liked this song just as much as Sacrifice. That’s rare for me.

The final song is a remix of a song called Blind Scope which I’m going to assume is on one of the two mini-albums. (Yup, it is. The original is found on Swallowed Scenery.) I liked this remix, but would not feel comfortable saying much else considering that I haven’t heard the original.

In Conclusion: I can’t wait to hear what other songs Luzmelt has to offer. In a world seemingly dominated by Visual Kei bands that all sound the same, its tough to find one that stands out. This band is seriously worth a listen because its not your average v-kei. The borrowed elements from other genres all work perfectly in their songs. Now, I can only hope that this band doesn’t suffer from “XodiacK Syndrome” and suddenly decide to break up as soon as I start listening to them. That would be enough to make me tear my lungs out through my ears. 😛

~Alisa~

Reader Question: What is the best song you’ve ever stumbled upon by chance?

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