Sometimes I wonder if Ayu ever sleeps. With her spewing out double a-sides left and right, one begins to ponder.
Naturally, when I saw that Moon was nearly six minutes long, I thought “oh crap.” The song has a captivating opening, and then suddenly begins to sound a lot like Izayoi by BeForU. (if you haven’t heard that song, look it up. Its quite good.) Ayu’s voice sounds much better in this song than it did in previous releases. The song itself is simply average with a sweet, forgettable melody. The 5:47 length wasn’t necessary and I began to get a little tired. Still, I made it through the song. Twice, I might add. The song is a good effort, but she could have cut this down to about four minutes and it would have been much better.
Blossom also has a lovely opening and Ayu sounds great again. I liked the energizing chorus, and the whole song is feel-good. I’m reminded of her “I Am..” era a bit with this song, which is nice considering that it was my favorite era.
The Lowbrows have provided us with a remix of Microphone which I already had enough of a love-hate relationship with. This remix pumps up the dark sound found in the original, while also making it a little bit gritty as well. I liked the remix very much.
In Conclusion: I’ve felt like Ayumi has been uninspired lately, and I had hoped this single would have taken the edge off of those feelings. It didn’t exactly do that for me. I enjoyed hearing improvement in Ayu’s vocals, but I just wasn’t feeling any of these tracks. I’m a little tired of multiple a-side singles as a whole, not from just Ayu so please don’t think I’m targeting her.
What was your favorite Ayumi era? What’s your opinion on artists releasing a ton of double a-sides?