I definitely prefer this cover to the other.
I’ll let you guys in on a little secret. This is probably the most excited I’ve ever (pun intended) been to write a review. Everybody knows by now that GACKT is my favorite artist in el mundo and I have been bursting at the seams to get my hands on this single. After being pushed back repeatedly and sending GACKTophiles like myself into a cold sweat-laced panic, I began to think that G’s move to Avex was a poor choice.
Though this isn’t his first single with Avex (recall that the “Journey” trilogy was released with them, even if G didn’t write any of the songs) I was interested, nauseated, and incredibly nervous to see how he would fare with such a mainstream company. Could GACKT retain his character and uniqueness we all love about him by switching to the most
draconian, evil, corrupt, baneful, heinous, vile, pernicious, loathsome, repugnant, sinister mainstream record company in Japan?
You bet your bottom dollar he could.
EVER begins with some hard drumming, and of course the trademark you-know-it’s-a-GACKT-song guitar noise. Is there some kind of story behind that sound? I can think of at least three other GACKT songs with that exact same noise in it somewhere.
Let me say that I can understand why this single was released during the Yellow Fried Chickenz tour. This is the kind of energetic, crowd pleasing song that would be incredible to see live. It’s only natural that G would release and promote it during the tour. (the parts of it when he isn’t unconcious/hospitalized 😦 …)
What I liked most about EVER is that it never slows down or releases its grip. GACKT sounds fierce and empowered in the chorus. Perhaps the move to Avex wasn’t as bad as I anticipated. If his next single comes out on time, then I’ll totally be okay with the label switch.
In all, EVER is outrageously catchy and brilliant. I barely noticed that the song was over five minutes long, because it just keeps blazing through. I loved it.
EVER’s PV carries on the live-house theme of the YFCz tour. The premise of the PV is simple but I found it poignant. Basically, it tells the story of a youngster who experiences and is affected by GACKT’s performance. I would be just like that kid if I saw G live. Unable to speak, only able to gravitate towards him. There is also a bouncer dude (I guess) who seems to really enjoy saying the word “ever.”
GACKT is stellar in this PV. He separates himself from reality by playing the role of a sort of deity. He’s magnetic, captivating, and it’s so hard to believe he is a real, breathing human. He just seems so far above the rest of us. Trust me, you’ll be feeling the same way the little kid in the audience does when you watch this. G’s dancing is a little strange, (not as odd as the dancing in the Vanilla PV though!) he removes and replaces his fedora numerous times, and of course..
Do I really need to say anything else?
We are also given UNCONTROL ♂Kyoukiranbu edition♂ which features.. guess. That same guitar sound! Seriously, am I the only one who pays attention to or notices that? This song is wacky and dissonant. It has a heavy techno sound, but I can understand why this song seems to be popular at lives. It’s a crowd-pleaser and that’s what GACKT is all about: making the fans happy.
In Conclusion: GACKT is a freight train with no intention of stopping. EVER is a fantastic single as a whole, and I could not possibly be happier. I am sure this review is riddled with bias because I’m so hooked on GACKT that… well it’s just not healthy, okay? VERY highly recommended. Excellent work, G.