Tag Archives: Epic Rants

GACKT’s Too Sexy for Respect, Too Sexy For Respect…

“Why is he so sexy?????”

“Too hot.”

“Waaaaa, sexy!”

What do these useless statements have in common? They are all ACTUAL YouTube comments left on GACKT videos. (usernames withheld to protect the ignorant innocent)

Since being converted, in a sense, to the ways of GACKT a couple years ago, I’ve grown to become more and irked by his fanbase. It seems as though many people look to him as a sex symbol rather than a legitimate musician/artist. I challenge you to lurk around on YouTube for a while and surf through some of his videos. The number of comments reading along the lines of “I wanna be his waifu XD XD XD” far outweigh things like “GACKT is a phenomenal and brilliant artist. Golly, I sure do appreciate what he does!” This makes me sad.

Truth is, GACKT has more than one side. He’s human, after all. As a big fan of him, I can appreciate all of these sides because I appreciate him! In saying, I don’t only see this GACKT:

I see this GACKT too! The fun-loving GACKT!

And this GACKT as well. The artist GACKT, who works tirelessly just to make us smile:

To only like GACKT because he is “sexy” or because he sometimes performs music with sexual themes is narrow, and downright immature. He’s an artist, and people who are true fans (or rather, true Dears) will be able to love his music and his messages no matter what he looks like or sings about. We should love him because he’s GACKT, and he puts his entire heart and soul on display for us every time he opens his mouth. He loves us unconditionally, and we should return the favor.

I think my anger exploded when I read Liam’s write up of the YFCz gig in London, where some fangirls demanded for GACKT to play Vanilla, a song that wasn’t even in the set list, and the band obviously hadn’t rehearsed. Regardless of whether or not GACKT actually heard their cries, I was horribly embarrassed to read that this happened, and that these people had the gall to do such a thing.

I know what they were thinking. They thought “if GACKT sings Vanilla, it will be like he’s singing it to ME and then… *dirty thoughts*” I bet they don’t even know anything about the song other than the lyrics. I bet they have no respect for the fact that the song has one of the most spectacular bass lines ever. It’s sick.

The point is that GACKT didn’t have to come to Europe at all. It was his gift, and those fangirls abused it.

I am fully aware that celebrity crushes happen, but it’s important to think objectively in these situations. Learn to love the music too. That’s all I’m saying. Celebrity crushes usually happen to people who are otherwise untalented (A.K.A JUSTIN BIEBER) so normally I wouldn’t be so offended. But, GACKT has more talent in his pinky than I have in my entire body so it supremely irks me that people overlook this just because he’s “hot.”

Plus, do you think GACKT is going to be in the same physical condition twenty years from now? If you said yes, guess again. He is beginning to age, slowly but surely and at almost forty years old, this is natural. What happens when he’s old and gray? Will we abandon him then because he has lost his physique and his once-immaculate face is clouded with wrinkles?

I’m speaking from the perspective of a non-traditional female GACKT fan in that I am in no way attracted to him (rare, I know) but I love his music and find him to be possibly the most creative individual who ever lived. Maybe the fact that I love GACKT without “loving” GACKT influenced this long and senseless rant. I hope it was moderately coherent.

~Alisa~

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Filed under Japanese Rock, Sakurayume's Collection, Special Articles

“World Wild 2010” – Saori@Destiny

As Keanu Reeves would say: "Whoa."

This review was requested by Selryam from What is Disco, the premier location for all things techno! Thank you for the request, and my apologies for taking 2-ish weeks to fulfill it…..

After an all-out war with my computer and its audio, I was FINALLY able to listen to this album! My computer suffered a devastating crash a couple months ago and my audio has been a touch wonky ever since. Enough about my problems.

How about this cover, yo!? This has got to be the trippiest cover I’ve ever seen and I can’t say how much I love it in words. Its psychedelic and wild for sure! I’m reminded of this cutscene from Family Guy, which just HAPPENS to be my favorite Family Guy moment in the history of ever. Does this give me a good feeling about this album? You bet your bottom dollar that it does!

So, I’m not going to even mention any of the older tracks on this album i.e. Ethnic Planet Survival, because I know that we j-tek fans have already played them to death and hear them in our sleep. I’m just being the nice, attractive (yeah right) blogger you all know and love and sparing y’all the agony of having to hear about “yesterday’s news.” Because I am that great. (Those songs all rock though, trust me.)

The titular track World Wild 2010 immediately drew me in because it lives up to its name.

World = I can hear influences from many other cultures in the song
Wild= The song is a hot mess, in a good way though
2010= Its got a modern sound

Saori’s voice is great because she doesn’t have the vocoder jammed down her throat. She really does have a pretty voice when its stripped down like that. She and MEG are the same in that respect.

How about Grotesque? This tune is anything but Grotesque! Its driven by a piano for the most part and it goes nicely along with some uber futuristic blips and bleeps. This is a one of a kind song and for sure the standout track on this album. When I think Saori@Destiny, this is going to be the song that comes to mind. I encourage anyone with functioning ears to listen to this song. Then force your family, friends, pets, and local hobos to listen to it. I swear. This song is so ridiculously amazing that it could stop criminals and global warming if played loud enough. Possibly.
Now I know I’ve ranted for about the entire lifespan of a fruit fly about this track, but its just that awesome.

Prism is also a noteworthy track because it is a techno ballad. You don’t hear those two terms blended together often. Saori makes it work.

In Conclusion: World Wild 2010 is the album that changed my opinion on Saori@Destiny forever. She went from “just another of the 6,000,988,762,496,291,003 artists who covered Denki Groove’s ‘Shangri-La’” to a unique techno goddess who should be recognized. Shame on you, Alisa, for not realizing this sooner! Thanks again, Selryam, for your request!

~Alisa~
(the woman destined to mis-use tags for all of forevertown)

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Filed under Japanese Pop, Sakurayume's Collection