Seems like it has to take something massive to get me to post. Well, here's your massive thing.
With school, work, and an obvious decline in musical releases, (or the quality of them, rather) I’ve really had no time or reason to blog. I am confused, though, as to what on Earth has happened with Japanese music. From the start of the year to the middle of the summer artists were constantly releasing strong singles. Now what? Has everyone fallen under some anesthesia and gone into hibernation? Where’s the good stuff, yo?
Thankfully, Merry came along to pull me out of my slump, as well as prevent me from questioning my faith in J-rock. (something I would hopefully never do) After the The Cry Against…/Monochrome My fiance and I had our interests piqued. His more so than mine, because I’m such a dang skeptic.
The first time I heard Crisis Moment I was ready to skip it after about ten seconds. Why? Because I’m a skeptic! The song starts out really slow and tender, then there’s a ton of screaming. Then it gets all touchy-feely again. THEN, the chorus!
What saves this jumbled mess of a song is its outstanding chorus. I’m really digging Gara’s voice because it’s so unorthodox for j-rock. Normally, you expect some deep, authoritarian, booming, Shao Kahn (sorry, I’ve been playing way too much Mortal Kombat) voice, but Gara’s got a much higher pitch and I can appreciate this diversity. The chorus of Crisis Moment is explosive, angry, and beautiful at the same time. It has a well developed melody as well, instead of just “hey guys, let’s play our instruments as loud as we can and see what happens.”
My only complaint with the song is its length. Merry seems to be terrified of stretching anything past four minutes. Crisis
Moment clocks in at three minutes and fifteen seconds. This is not enough time for the song to establish the links between the mellow and brutal parts so it seems a little forced. In j-pop songs, a 3:15 song is fine because not much change happens. In typical j-rock, you expect to be taken on a music journey of sorts. I would compare Crisis Moment to a roller coaster. You coast up a big hill, go down the hill at warp speed, some messed up crap happens that you barely remember, then its over and you have to go back again just to discern what just happened. Okay, convoluted analogy is over.
Don’t get me wrong, Crisis Moment is the best j-rock song I’ve heard for a while and I’m glad for that. I just would have wished for a little more organization. (as in, MAKE IT LONGER!)
Fleeting Prayer is an entire minute longer than Crisis Moment and a ghostly feel to it. It doesn’t have as sharp or extreme changes as Crisis Moment, but it’s worth listening to. I appreciate that obvious effort was taken with this song. You don’t see a lot of effort put into b-sides normally so this is a refreshing piece.
Finally, we get the unplugged version of Crisis Moment Eeeeeew. This song was not meant to be like this. It’s slow, boring, and should be skipped. Gara sounds terrible and the whole thing is just terrible. Sorry to be a total song-basher but this song made me want to bicycle kick a wall.
In Conclusion: Merry certainly delivered with Crisis Moment. To me, it’s their best single yet and builds off of the epic-ness that their last single had. It’s nice to see growth in a band I’ve overlooked for the longest time. Highly recommended!