With this being my first holiday season in retail, I had no idea what to expect. I now understand why people in retail hate the holidays. The spirit of giving has been replaced by droves of iPhone-wielding robot overlords who misunderstand the purpose of all manner of coupons, spit out obscenities, and do other types of… well… not nice things. It’s rather discouraging. My light at the end of the tunnel has been this little spurt of awesome j-rock we’ve gotten recently. That’s what’s been getting me through the long hours, broken toes, and cold weather.
Today’s little nugget of j-rock awesomeness is SID’s Ranbu no Melody. SID’s been riding the wave of quality singles since Uso dropped last April.
Ranbu no Melody served as the 13th opening theme for the bland and tasteless anime, Bleach. The song is actually exciting and provides a great contrast to the otherwise dull and listless experience one will have while watching an episode of Bleach. I do feel that such a great song being used for such an outdated-please-end-it-already anime is a bit of a waste. I mean, it’s misleading. This epic song is going to pull you in, then the show will start and by the end of the episode all you’ll be able to say is “Bleach taught me that you can be a superhero and a pervert at the same time. Also you can hop dimensions and give six-page monologues and then do like two cool things with a sword. Sure it sucks, but at least the theme song is fun. Right?”
The opening sequence does a fantastic job of showcasing all 25897498759375890830859038957438908420849037859304583502830 Bleach characters and at the same time reminding me of exactly why I stopped watching the show in the first place. I think I can live my life without knowing Rangiku’s bra size, or whatever information Bleach fans find to be crucial. Surely the plot isn’t important to them, since we all know that Aizen is the most frustrating anime villain since InuYasha’s main antagonist and part-time bus driver, Naraku.
Now that I’ve covered why Ranbu no Melody by no means deserves to be in a tired and rootless series like Bleach, (although I will say that the 2-3 minutes of action in every episode completely captures the mood of this song perfectly) I do believe I should explain just what makes this song so great. This song is like an upbeat version of Rain. The melodies of the two songs are in no way comparable, but their pattern of building and exploding relentlessly is very similar. Mao is one of those vocalists that can put a lot of emotion into his voice and bring it out when appropriate. I like him for the same reason that I like Gara from the band MERRY, in that they both have relatively high voices for j-rock, but they exude soulfulness. SID is a ridiculously awesome band, and I’m so pleased with how far they have come so quickly. I am, however, disappointed that this single only charted at #5.
The b-side, Danrou is a fun throwback to SID’s earlier days when their work had a distinct jazz flair. I said it about D in my last review, and I’ll say it again here with SID. I am so happy that this band is changing directions and trying new things, but at the same time it’s nice to see them occasionally bringing back their old style and reminding us fans why we loved them in the first place. I love how cozy and fluffy this song is; two terms I tend to shy away from when reviewing music. This is the kind of song that makes me want to shimmy over to Starbucks and/or Panera Bread and drink expensive lattes because I’m just that self-important. My gosh, I love embellishing.
In Conclusion: This single was phenomenal in all respects. It is debatable to me whether or not this single or Rain was SID’s best achievement this year. Either way, I can’t wait to see what they come up with next!
Next time, I’m taking on T.M. Revolution’s Save the One, Save the All! Yes, it’s another theme from that mutated abomination known by the common man as “Bleach….”