Takanori Nishikawa is a busy, busy bee with many, many projects! He is kind of like a male version of Tomoko Kawase/Tommy Heavenly6/Tommy February6 except his music is actually good. (Just joking, I love Tommy.)
Save the One, Save the All was chosen as the theme song for the fourth Bleach movie. I got a lot of negative feelings about Bleach out of my system in the last post, so I promise the bashing will be vastly reduced here. I’m still relatively new to Takanori’s work, so pretending to have expertise while talking about him would be nothing short of arrogant. But I will say in the 6+ months I’ve been listening to him I have become a fan very quickly. I love the energy he puts into his pieces, not just as T.M. Revolution but with abingdon boys school as well. He’s a superstar and I’m immensely lucky to have discovered him.
This song stays true to the hyper and futuristic beat you’d expect from a T.M. Revolution song. It’s got a great melody that sounds tragic and confident. I think it works well for Bleach because I can definitely see Ichigo whipping somebody’s butt with this song blaring in the background.
But then he gets distracted by some random woman in skimpy clothing (AKA any female Bleach character) and then the entire fight is forgotten. Stay classy, Kurosaki-san.
This song also has some really cool guitar riffs paired with some eurobeat (that’s the only way I can describe it). This is the reason why I have trouble classifying T.M. Revolution as any kind of genre. It’s easy with abingdon boys school because their work is distinctly rock. I can’t call T.M. Revolution pop, but I can’t call it rock either. So I tend to shy away from giving it a label. It’s just T.M.R. Simple as that.
To sum it all up, I was vastly impressed with Save the One, Save the All. To me, it blows Naked Arms/SWORD SUMMIT clean out of the water. I’m still waiting for him to top Resonance though.